Museums, Arts & Theaters · Online Auctions

How do we keep our gala from feeling like every other gala in town?

Online auctions for Museums, Arts & Theaters that put culture-forward travel in your gala catalog.

Sound familiar?For Museums, Arts & Theaters, the patrons attend every black-tie event in the city. A catalog that echoes last month’s hospital gala makes your institution look interchangeable. Your development team runs polished events and protects the brand carefully, so the auction needs items worthy of that crowd.

A museum, arts center, or theater often draws the same black-tie crowd citywide. The room knows what a standard auction catalog looks like. Artists tire of donation requests. Your own tickets and passes cannot anchor a live auction. Culture-forward travel gives the room something worthy of that crowd. Costa Rica, Ireland, European destinations, and major events like the PGA and Formula 1 are what clients say sell in these rooms.

Cost and scope stay simple. Reserve any of more than 140 experiences at no charge and get a one-page display with photos and videos when available. You only pay for an experience if it sells, keep 100% over the cost, and can sell experiences multiple times if the bidding gets hot. You are not too late: items can be added the same day as your event. Recommended starting bid is 15 to 20 percent above cost.

This week, curate the auction like a program. Pick culture-forward trips that fit your institution’s identity: wine regions, European cities, festivals. Giveback XP can help you choose from more than 140 experiences and fine-tune the number for your room. Do not wait until the printed catalog is set. Reserve what you like now; items can be added even the day of your event.

Once the catalog has a point of view, the night reads differently from the rest of the season. Patrons bid on Costa Rica, Ireland, European cities, or a PGA package and remember your event. Winners book through the Travel Team. Donors have up to two years to travel. Unsold items cost you nothing.

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